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Thrillers

The End of Oak Street Opens to Praise for Performances and Dinosaur VFX

Strong early reviews set up a test of whether modest opening projections will translate into box-office returns.

Spider‑Man: Brand New Day Surpasses $1.66 Billion in 12 Days as Run Widens

The Last House Debuts on Netflix to Praise for Performances and Design and Criticism of Its Payoff

Spielberg’s Disclosure Day Opens Strong but Prompts Skepticism About Its Central Premise

Disclosure Day Opens No. 1 With $92.9M Weekend in Spielberg Return

Na Hong-jin’s Hope Premieres at Cannes to Ovation and Split Reviews

Mubi Secures Rights to Na Hong-jin’s Hope Across Europe and Latin America

Na Hong-jin’s ‘Hope’ Bows in Cannes Competition With First Images Revealed

Warner Bros. Debuts First Teaser for The End of Oak Street Ahead of August IMAX Release

Amazon MGM Quietly Puts Chris Pratt’s ‘Mercy’ on PVOD 25 Days After Theatrical Debut

Daniel Kaluuya in Talks to Lead A24 Sci-Fi Thriller 'Hotel Hotel Hotel Hotel' From Michael Shanks

‘Mercy’ Opens No. 1 With $11.2 Million as Winter Storm Saps Box Office

Early Reviews Pan AI Thriller ‘Mercy’ Ahead of Friday Theatrical Debut

Glen Powell in Talks to Lead Sam Esmail’s Sci‑Fi Film 'Tesseract' at Amazon MGM and United Artists

Redux Redux Trailer Debuts as Saban Films Sets Feb. 20 Theatrical Release

Wake Up Dead Man Scores Strong Early Reviews in Limited Release, Hits Netflix on Dec. 12

Bugonia Earns Lengthy Ovation at Venice as Early Reviews Applaud Lanthimos–Stone Reunion

Alan Tudyk Says He Was Cut From I, Robot Publicity After Testing Higher Than Will Smith