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Venice Biennale Faces Turmoil as Jury Walks Out and EU Threatens Funding

The show will hand its top prizes by public vote in November, a break with tradition that tests the event’s independence and the weight of expert judgment.

Overview

  • Press previews opened ahead of the May 9 public opening, and on Wednesday Pussy Riot and Femen briefly blocked the Russian pavilion’s entrance with smoke flares before police dispersed the protest.
  • The European Commission sent a second warning letter threatening to suspend a €2 million subsidy if Russia takes part, saying EU funds must reflect democratic values and cultural diversity.
  • The international jury resigned in protest over the inclusion of Russia and Israel, and the Biennale shifted the Golden Lions and other awards to a public vote with winners due on November 22 as voting rules are still being set.
  • Russia returned with party‑style programming during the pre‑opening, and under pressure the pavilion will shut to in‑person visitors after these days with only a film viewable from outside for the rest of the six‑month run.
  • The main exhibition follows the late Koyo Kouoh’s quiet In Minor Keys theme, a stark contrast to the political fights, while Argentina’s Matías Duville debuts Monitor Yin Yang, a salt and charcoal intervention that builds a new pavilion inside the national space.