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Schoenbrun’s Camp Miasma Debuts at Cannes as Queer, Tone‑Shifting Slasher

Strong Cannes reviews cast the film as a bold, queer-minded genre experiment that could drive its summer festival preview tour and wider U.S. rollout.

Overview

  • Teenage Sex and Death at Camp Miasma premiered at the Cannes Film Festival, which ran May 12–23, and has drawn positive early reviews that emphasize its ambition and distinct voice.
  • The story follows a filmmaker rebooting a cult 1980s slasher who becomes obsessed with persuading the original film’s reclusive star to return, a premise framed as a movie-within-a-movie.
  • Critics note a deliberate mix of tones: broad slasher spoof and comedy in the first half, a notably gory middle sequence that introduces the villain “Little Death,” and a final act that moves into surreal, Lynchian territory.
  • Lead performances by Hannah Einbinder and Gillian Anderson are widely highlighted, and cast members have described certain scenes as physically and emotionally intense during production.
  • Industry reports say Plan B produced the film and that MUBI and Madman will handle distribution, with a June–July preview tour planned to build word-of-mouth ahead of a U.S. theatrical rollout.