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6mo ago

RSC’s BFG Wins Applause for Dazzling Puppetry as Reviews Flag Emotional Gaps

Critics say scale‑switching between puppet and human forms limits the giant–Sophie connection.

John Leader is a likeable presence as the giant, who also appears in puppet form
Roald Dahl's character is brought to life by four puppeteers who manipulate sections of his head and shoulders (Photo: Marc Brenner)
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Overview

  • The production runs at the Royal Shakespeare Theatre in Stratford‑upon‑Avon through February 7, 2026, with a confirmed transfer to Chichester Festival Theatre from March 9 to April 11, 2026.
  • Tom Wells adapts the story under Daniel Evans’s direction, with Toby Olié’s large‑scale puppetry drawing broad praise alongside striking design, lighting and sound.
  • John Leader plays the BFG opposite a towering puppet version of the character, while the role of Sophie is shared by young performers including Ellemie Shivers and Martha Bailey Vine.
  • Reviews highlight faithful Dahlian mischief and crowd‑pleasing palace scenes, with Helena Lymbery noted for a spirited turn as the Queen.
  • Critiques focus on momentum dips during scale transitions, limited onstage interplay when only one form appears, added plot tweaks such as a new friend for Sophie, and occasional complaints about high sound levels.