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Remake Turns Ross McElwee’s Failed Sherman’s March Remake into a Personal Film of Mourning

McElwee uses decades of home footage plus his late son’s self-shot material to reckon with grief, fatherhood and the ethics of the camera.

Overview

  • Remake began as a behind-the-scenes chronicle of filmmaker Steve Carr’s proposed remake of McElwee’s 1985 film Sherman’s March but shifted into a personal documentary when the commercial project repeatedly changed formats and ultimately collapsed.
  • The film assembles decades of footage McElwee shot of his son Adrian together with hours of material Adrian filmed himself to examine their relationship and the limits of filming intimate lives.
  • Adrian died in 2016 after a long struggle with substance abuse and his death is a central subject of the film as McElwee frames Remake as a public act of mourning and an attempt at apology.
  • Mainstream critics have described Remake as a raw, reflexive essay film about memory and responsibility, and Music Box Films has moved the movie from its 2025 Venice premiere into a U.S. theatrical rollout that began in July 2026.
  • The film also reframes McElwee’s career by revisiting earlier works such as Sherman’s March and Photographic Memory and raises wider questions about how cameras shape identity, consent and familial duty.