Overview
- Critics publishing Sunday in The Movie Blog, But Why Tho?, and Polygon describe David Lowery’s psychodrama as riveting for its leads yet polarizing for its sparse, ambiguous plotting.
- The film centers on a pop star in crisis who seeks out her estranged costume designer, shaping a near two-hander that favors mood and power shifts over a conventional, detailed plot.
- Reviewers single out the craft as a draw, citing Bina Daigeler’s couture, cinematography by Andrew Droz Palermo and Rina Yang, original songs shaped by contemporary pop influences, and a brief turn by FKA twigs.
- Coverage notes an eerie, psychological-horror current, with ghost-like imagery rendered as writhing red fabric and ritual-like scenes that frame the women’s bond as something haunted rather than purely literal.
- The movie is now playing in theaters nationwide, with recent notices advising viewers to expect a vibe-forward character study that prizes atmosphere and performance over clear answers.