Overview
- The feature premiered in the closing slot of Cannes Critics’ Week, marking Momoko Seto’s first fiction feature.
- L’Humanité hails the film as a visual poem with an environmental undercurrent.
- Le Nouvel Obs calls it a disappointment, citing thin storytelling despite a striking technical feat and a superb opening.
- The film follows four digitally animated dandelion seeds navigating real-shot ecosystems populated by plants and animals.
- Reviewers note echoes of Microcosmos, La Linea, and Flow, with some scenes described as evoking AI-like aesthetics.