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Michel Franco’s 'Dreams' Divides German Critics Over Power, Sex and Class

Reviews say Franco’s cool, essay-like approach forces viewers to judge whether the film mounts a serious critique of inequality or leans on provocation.

Overview

  • German reviews published Tuesday and Wednesday foreground the film’s festival run and highlight its framing of migration and class as an intimate relationship rather than a conventional social drama.
  • The story follows Jennifer, a wealthy U.S. patron played by Jessica Chastain, and Fernando, a young Mexican ballet dancer played by Isaac Hernández, whose unequal positions drive the narrative.
  • Critics note Franco’s spare, emotionally distant style and say a series of explicit sex scenes are used as structural markers to show shifting dominance between the characters.
  • Commentary is split: Die Tageszeitung reads the film as a filmic essay on class, power and gender, while Stern questions whether the movie offers real social insight or relies primarily on erotic shock and sensational turns.
  • Observers place the film in Franco’s known oeuvre of austere sociopolitical dramas and note casting choices and the German subtitle 'Gefährliches Verlangen' sharpen expectations for its eroticized, contentious tone.