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Met Acquires Earliest Surviving Rosso Fiorentino, Newly Identified After Conservation

Newly revealed details correspond to Vasari’s account to confirm an early Rosso attribution.

Overview

  • The oil-on-canvas Madonna and Child with Saint John the Evangelist has been re-dated to 1512–13 after technical treatment.
  • Conservation removed later overpaint to reveal Saint John in the foreground, resolving earlier doubts about authorship and title.
  • Met curators describe the work as the artist’s earliest recorded painting to survive and note that only about two dozen Rosso paintings are firmly attributed.
  • The painting had long been cataloged as a ca. 1520 Madonna and Child and was at times assigned to other artists by scholars.
  • Now on view in The Met’s European Paintings galleries in gallery 609, the acquisition is presented as reshaping understanding of Rosso’s early mannerist development.