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Julia Ducournau’s Alpha Reaches Theaters With Daring Vision and Divided Reviews

Ducournau pivots to an AIDS‑era coming‑of‑age allegory told through ornate body horror.

Overview

  • After a 2025 Cannes premiere that drew a standing ovation inside the Palais and split notices from critics, Alpha begins its theatrical rollout this week.
  • Set in an alternate world, the film tracks a 13‑year‑old, her physician mother, and her heroin‑addicted uncle as a blood‑borne illness turns human tissue into marble that later crumbles.
  • The cast features Mélissa Boros in the title role, Golshifteh Farahani as her mother, and Tahar Rahim as Amin, whose visceral turn has drawn special attention.
  • Critics praise the striking imagery, from marble‑like bodies to sweeping red dust storms, while some fault a muddled story, a poorly integrated score by Jim Williams, and flat framing by cinematographer Ruben Impens.
  • The Globe and Mail lauds the film’s intensity and emotional focus, while The Film Stage calls it half‑baked, and Ducournau describes her intent as a study of forgiveness shaped by memories of AIDS‑era stigma.