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Goliath and Masondo File Urgent Court Challenge to Restore South Africa’s Venice Pavilion

Their High Court filing argues the minister’s cancellation over politically charged content violated constitutional protections on cultural expression.

Overview

  • The application, led by advocate Adila Hassim, was lodged in the High Court in Pretoria seeking to declare Minister Gayton McKenzie’s interference unconstitutional and to reinstate the artists’ pavilion plans.
  • An independent five-person committee unanimously selected Gabrielle Goliath and curator Ingrid Masondo on December 6 to present a new iteration of Elegy addressing femicide, LGBTQI+ killings, the Ovaherero and Nama genocide, and the death of Palestinian poet Hiba Abu Nada.
  • McKenzie called the Abu Nada–related suite “highly divisive” in a December 22 letter and canceled the pavilion on January 2, eight days before the first Biennale submission deadline.
  • The culture department has reportedly restarted planning for Venice and has been in discussions with the 30-artist collective Beyond the Frames about a potential alternative pavilion.
  • McKenzie has alleged involvement by a “foreign power,” with reporting pointing to earlier interest from Qatar Museums in acquiring a recording of Elegy, and the Public Protector is reportedly reviewing complaints as petitions and a letter to President Cyril Ramaphosa press for intervention.