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Alma Allen Opens U.S. Pavilion at Venice Biennale After Opaque Selection

A last-minute, opaque selection raised questions about political influence.

Overview

  • The United States unveiled Alma Allen’s Call Me the Breeze at the Venice Biennale, with the pavilion now open in the Giardini.
  • Critics and former applicants say the selection broke with decades of open calls and peer review after an earlier approved proposal collapsed when its sponsor withdrew.
  • The newly formed American Arts Conservancy stepped in as sponsor and named Jeffrey Uslip curator, who says the project kept full artistic autonomy.
  • Allen, a self-taught Utah-born sculptor based in Mexico, installed untitled biomorphic works in bronze, wood, and stone, including Colorado Yule marble used in U.S. monuments.
  • Reviews have been divided, with Hyperallergic panning the show’s substance and noting donor names revealed on-site, including businessman John Phelan and designer Tommy Hilfiger.